280 Sketches around Town

WordPress tells me it’s been a month since my last post so I guess it’s time for an update.

I have been busy, Plein Air painting, gallery painting, thinking about painting and simply messing around with paint. I’m trying to build up stock for the Southern Art Trail, an event that has about 80 artists and venues exhibiting all forms of artwork for two weeks in September.

I will be exhibiting in three of the venues, two of them being Plein air exhibitions, so some of these sketches might make it to the framers. I still have a few months to do more, so I’ll keep on painting.

I won’t bore you with too much but I’ll share a few I have done this past month.

These are mostly sketches from around town, done with ink and watercolour on various papers.

Firstly, the old buildings around town.

The old Post Office on Canaletto paper.

The first farmhouse built in the Albany area.

The oldest church in Western Australia.

The ruin of the Lighthouse keepers cottage.And the new – the Entertainment Centre.

And Rats Bar with a beautiful bougainvillea growing outside.

Looking across the bay to the town.

Lastly a watercolour sketch at one of the local rivers.

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279 Portraits and Boats

A couple of my most recent portraits. I haven’t been doing so many lately. I must get back into the habit as it’s something I really enjoy.

I have long admired Pat Southern Pierce’s drawings of buildings and urban scenes combining ink and crayons on toned paper. I decided to try a portrait using that combination of materials, an ink brush pen plus a little watercolour pencil and crayon. The tan Kraft paper works well in this case providing the mid tone of the sketch.

Thanks to Madison from Sktchyapp.

The next double portrait was a special commission for my big brother. He celebrated a milestone birthday recently, so I painted a soft and pretty watercolour of his granddaughters as a surprise. I think he was pretty happy with it.

Another recent commission followed on from a recent painting I posted on Instagram. The original sketch was from a Plein air outing to a local tourist site and I was subsequently asked to do the same boat from a different angle.

The original sketch done on site – Ink and watercolour on 300g paper.

The commissioned sketch from a photograph. It was a challenge getting all the masts, rigging and ropes to look right, as it was going to someone very familiar with this boat and needed to be fairly accurate. Doing a previous Plein Air sketch certainly helped as I found it was so much easier to work with what was in front of me rather than trying to interpret a photograph.

278 Watercolour to Pastel

I’m still painting and sketching but I’m not so good at blogging these days. I go out each week with my painting buddies to paint or sketch somewhere in or near our beautiful town. One recent outing we met to paint near a stand of majestic karri trees along a road verge. I chose to sketch the base of one of these trees looking through to the adjoining farm. Most of this painting was done with my favourite cheap scruffy Chinese brush on Fabriano 300 g paper. I just love the loose effects this brush creates. Details were added later with a rigger brush.

I quite liked that scene so I thought I’d try it using pastels, as I would like to be able to do Plein Air paintings with them. I have done a few pastel paintings in the past and I love the effects other artists can achieve with them, but I definitely need a bit more practice. This is my tryout piece on black paper.

And this is one of the reasons I don’t use pastels often.

I really don’t like the mess, apart from pastel dust over everything, hands, bench, floor, I inevitably touch something that I shouldn’t and transfer the dust to it. I found disposable gloves help a bit but I seem to be forever putting them on and and taking them off. Maybe using them outdoors might be the answer for me if I can work out how to pack, carry and set up a range of colours.

Watercolour is definitely a much more simple and compact medium for painting on the go.

Maybe a combination of both might be the answer for me. A watercolour block in with pastel accents over the dry paint. I did attempt this technique of a portrait sketch on a small piece of white Colorfix paper.

I think it has possibilities. I will continue experimenting.

277 Sketches, paintings.

I’m so behind in posting stuff lately. Life seems to get in the way. I might have to do several posts to catch up.

Firstly, a couple of portraits from Sktchyapp. I had a hankering to sketch some grey hair with coloured pencils. I did a flip through the photos in my saved queue and found a beautiful photo of Joan who has the most magnificent grey hair. Made me quite envious. This is a pretty rough and quick sketch of Joan, in ink and watercolour pencils on cheap old Kraft paper.

Another quickie of a cute little girl, photo supplied by Amber on Sktchyapp. Watercolour and pencil in a Quill cartridge paper journal.

At one of our weekly Plein air sketching outings we visited an old wool store shed, now disused and decaying. It’s always good to try and capture these landmarks before they disappear altogether.

I did a quick pen sketch on site for this one, as I wasted too much time chatting to other sketchers, and took a photo for colour reference to finish at home.

Sketched with a Lamy fountain pen with permanent ink in a Strathmore multi media journal.  But as I was walking back to the car before leaving I couldn’t resist a quick sketch looking in the other direction. It was really meant to be all about the windmills in the distance but I got distracted along the way.

This was painted with my favourite scruffy brush on Fabriano Artistico paper.

More to come in the next post.

276 Some Plein Air, some not.

With summer here we are making the most of outdoor sketching. Yesterday was a glorious sunny day made more enjoyable by painting along with excellent company.

I loosened up for my first sketch, easy to do when painting with my favourite brush. I scored this brush from a workshop by the wonderful artist John Lovett.

I still had 30 minutes before I had to leave so I did another quick sketch with gouache.

I didn’t have time to resolve the stone wall problem, so I took a photo and fiddled with it later at home.

The week before we painted at a local boat harbour. This is my very edited version of the actual scene, as I couldn’t get my head around too many boats and masts.

In the older part of our town is the Rotunda, constructed as a bandstand in the late 1800s. This was a bit of a challenge and as a result ended up rather overworked. But that’s what I love about Pleinair painting, everything is a puzzle and I always learn from each painting.

The following one was from a photo because I’m not often up and around to capture an early morning foggy scene. It was painted with a very limited palette with successive overlapping washes, fading out towards the water, with the man and boat added later.

Another one painted from my photo reference. This is just one more of the stunning beaches found along the southern coastline. This was painted with thinned gouache, used like watercolour.

As I am now working towards an Exhibition later this year all of these paintings are on artist quality watercolour paper and not in my journals. I really don’t like removing pages from journals as I paint in them just for me.

275 Portraits Again

While I love painting all manner of things, landscapes, Plein Air, still life, I’ve decided my very favourite thing to sketch and paint is portraits. It’s my relaxation and it’s fun to curl up in the lounge chair in the evening with my little journal in my lap and my iPad to scroll through a never ending stream of portraits from Sktchyapp. If I decide to paint the portrait I map out the sketch in the evening and paint it with better light next day.

This is my most recent one – gouache, ink and pencil – Jon from Sktchyapp.

Here are some older ones from a few weeks ago.

This is Elizabeth. Here I’m trying new materials – Conte carbon pencil and white Pitt pencil on A4 Strathmore tan paper.

Happy dance! This was my first commission through Sktchy. Painted on A4 watercolour paper with gouache and watercolour pencil. I couldn’t show this for a while as it was to be a surprise.

Back to my little journal A5 size. This is Jane – gouache, ink and coloured pencil.

And a lazy, late night lounge chair sketch on Kraft paper with Conte carbon pencil and white pencil.

And for a change of faces a lovely German Shepherd called Dutch. Ink and watercolour on A4 drawing paper.

That’s it for portraits for a while. Next post will probably be Plein Air or landscapes, depending how the mood strikes.

274 Gallery Paintings

A new year brings a new venture for me. I have been invited as a member artist in a south coast gallery – Riverfront Gallery, Denmark, so I needed to do a few extra paintings to add to my allocated gallery space.

The first painting was painted from several photos my sister took on her holiday in Italy. It is certainly not an accurate representation, but more like an impression of a village scene.

Italian Village – Watercolour on Fabriano Artistico paper

The next painting is an attempt to capture the dappled light through the giant trees, so typical of the forests surrounding this area.

Karri Forest – Watercolour on Arches watercolour paper

In addition to the gallery paintings I received a rushed commission for a dragonfly painting a few days before Christmas. Watercolour painted, framed and collected with a day to spare.

One very happy client!

Dragonfly – Watercolour on Canson Montval paper