270 Plein Air Outings

I’m rather behind with posting my Plein air sketches so this post is a bit of an image dump. This is also a little tour of the area that we are blessed to live in. Our town is situated on a very beautiful coastline, but quite rugged and treacherous at times as there is no land between us and Antarctica.

I am now regularly sketching each week with my painting buddies, and it’s a great way to try out different subjects and techniques. I love the fact that while out there I can just tune out, and the only worries I have is working out how the heck am I going to paint what’s in front of me. It’s good for the brain as well as the body 😄

On an unusually calm but overcast day we hiked up to the local war monument situated on a hill with amazing views. This hill was the last view of Australia many World War 1 soldiers had before perishing in the battle of Gallipoli.

From Wikipedia – “The statue at the top of Mount Clarence is a copy of one originally forming part of a memorial erected at Port Said in 1932, and which was destroyed during the Suez War of 1956, salvaged and re-erected in Albany in 1964.

It shows a mounted Australian Light-Horseman defending a New Zealand Mounted Rifleman standing beside his wounded horse. It is said to be based on an incident in the charge at El Arish in 1917.”

Albany was the final departure point for the first ANZAC troops on their way to the battlefields of the First World War.This precinct has many places to sketch and a lot of historic buildings so we decided to return the following week. I sketched one of the original old stone residences.The next sketch is an extra thrown in, as it was a beautiful sunny spring day and my hub wanted an outing. We took a picnic lunch to an inlet a little way along the coast. I painted while he walked.Back with the weekly sketch group we met at a little park overlooking the inner harbour. Those are wheat silos in the background in case you were wondering 😄 Next outing was around the bay to the old Whaling Station. This has now been made into a very popular tourist precinct. I sat on the jetty looking back at the staff cottages. One of the retired whaling ships is dry docked and part of the tourist complex. I always take several photos when I go out sketching, and I used one of them to do a quick gouache sketch at home, just to see if it would be feasible to take these paints out in the field next time. I’ve always had problems with gouache drying too quickly on on the palette in our dry atmosphere, so I devised a little kit to try and overcome the problem.

Today I got to use the kit in the field. I had a new set of Holbein gouache and filled a pill container with the colours. The mixing palette has a piece of palette paper over moist paper towel. I attached Velcro tape to the easel and palettes to keep them in place. As I paint I have to open and close each section of the pill container to pick up colour, which is a bit of a pain, but the paints stayed moist right throughout. At the end of the session I store the palette in a zip lock plastic bag with moist paper towel and so far it seems to work fine. Hehe, I felt like a real artist with this setup, instead of a sketcher sitting on my little stool with a sketchbook in my lap.

I’ll let you know in future how successful this system is.

If you are on Facebook and are interested in what our little group does you can see it here.

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265 Catching Up

I’m posting a few of my pleinair sketches from the last few weeks. Our sketching group adjourned over the winter months as the weather is usually cold, wet and windy, but now that spring is here we are back to meeting up weekly.

Early September we had a bit of rare sunshine and the group took the opportunity to meet at the local port. I chose a spot on some steps in the sun, out of the cold wind and this was my view. There were much better viewpoints but I’m too much of a wimp to brave the elements. I was going to do a bit more on this sketch later but I decided to leave it as it is.


Then the clouds came over and the rain returned so we adjourned to the nearby tavern and continued sketching. This was a sketch looking out the other way, done directly with my waterbrush. I should do this more often as I think the result looks fresher than a laboured ink sketch.


A week later the circus came to town. It’s always fun to sketch the tent shapes, but unfortunately there was not a lot of activity on the side we were allowed to sketch. 


The following week only two of us braved the weather to sketch at a spot along one of the rivers. We were lucky to have 20 minutes to get a quick sketch before the weather changed, and we adjourned once again to a nearby tavern to add the colour.  Most of this one was painted with a rough bristle brush, fun to use as you can’t get too precious with brush strokes. I added a little brown ink and white gouache to make a bit of sense of the rough blobs.


The next sketches were done at a local garden centre, a great place to visit with wonderful garden settings and an array of landscape paraphernalia.

I sketched the old wagon with a fountain pen at the garden centre and added colour and the darks with a brush pen later at home.


This last sketch was at the garden of one of our group. I sketched directly with gouache while I was there, but added a bit of watercolour pencil and fiddled a bit more with the gouache at home. I probably should have stopped sooner but that’s another lesson learnt.

Meanwhile, I’m still doing Inktober and I’ll post all those sketches in the next update.

262 Taking a Break

I’ve been on holidays, camping out in the great outdoors and also taking a break from social media. Mobile coverage is very patchy when travelling in this big country, so it was rather nice to switch off and chill out for a while. I took it easy and only did a few sketches at some of the stops along the way. 

I took along a Strathmore 500 Mived Media journal and used it for this sketch of the original cottage on a large grazing station. It was painted while sitting in the shade of a large eucalyptus tree – a very enjoyable hour.

Further up the coast the soil changes to red and is a great contrast to the white sand, blue sky and aqua water. This peaceful bay is inhabited by a friendly family of dolphins.

I also had a Moleskine journal with me and used it for these little thumbnail gouache sketches of a couple of campsites along the way. The paper in this journal is great for gouache.

I didn’t make much use of my mini journal although it was really handy for a couple of quick sketches when I only had a few minutes, just enough time to scribble a few lines and add colour.


And one in a larger journal. This is Buddy, a cute little fellow we met at the caravan park. He was a rescue dog and is totally devoted to his mum and charmed everyone who met him. I did this painting and gave it to his mum, but Buddy wasn’t too sure about it. He growled at it. Maybe he didn’t like that other dog looking at him, lol.

This was in a 11 x 14″ in a Holcraft Journal 200 gsm cartridge paper. I know I said I was going to travel light and take minimal supplies but I just happened to call into a RiotArt store on the way and spotted these discontinued journals at less than half price. As an added bonus if I spent over $40 there was another 50% reduction. 4 journals for $24! How good is that 😊

259 Pleinair Air Sketches

I’m gradually getting back to sketching. A few weeks back I met with the local sketching group. Still having problems with my vision I decided to focus on shapes and skip the detail. It did help simplify the sketch.

Watercolour – Canson Montval journal.

 

Next sketch was in a beautiful garden, in bright sunshine again. Always a challenge trying to depict all the different greens. I have been using a limited palette and most of the greens are a combination of Pthalo Blue, Quin Gold and Alizarin Crimson added for the darks. Ultramarine is added for variation.

Watercolour – Quill journal

Last week was at one of our local picturesque spots, a park on the banks of a tranquil estuary. Although it is winter here we have been very fortunate to be able to find a sunny spot to sit in and paint.


Watercolour – Stillman and Birn Alpha journal.

I find it really helpful to have a couple of journals on hand when I’m out sketching, as I often do a thumbnail sketch in a small one, and watercolour in the larger. I can always do a few small quick sketches in one while waiting for paint to dry in the other. Can’t waste time while out painting 😄

 

257 John Lovett Workshop

It’s been a while and a frustrating month since my eye surgery. Unfortunately things didn’t go quite to plan and I have continuing problems focusing, and getting back to normal will take a while longer than anticipated. 

But that didn’t stop me taking a workshop with John Lovett, an artist I’ve long admired and was fortunate to be able to get into his class. I figured I’d be able to soak up some knowledge even if I couldn’t focus too well. I did however manage but suffered a bit with eye strain at the end of each day. I did learn a lot and will do some more to some of these paintings at a later date but I thought I’d share them as they were at the end of each workshop. 

Our first lesson was an exercise in simplification of a fairly busy village scene. John uses mixed media, generally starting with a very loose charcoal pencil sketch. This is followed by washes with his signature rough brush, various sized flat brushes for windows and brickwork, dip pen and ink for linework. Sometimes a rigger brush is used, sometimes an Inktense pencil. He sometimes uses gesso throughout his work, to soften areas and draws back into them.

Then a river landscape which was a composition exercise in creating a focal point. I would have liked to carry this one a bit further but my eyes were telling me no. 


Next lesson was once again choosing a focal point and different textures, drawing first with a charcoal pencil, applying loose washes over, then picking out details with ink and dip pen.


The final session was another river landscape with a rock escarpment. This was a fun exercise as rocks are very forgiving. Dropping colour into wet areas, as well as drawing with ink into damp areas gives unpredictable results.  Gouache was used for some tree trunks and that vivid blue sky, so typical of northern Australian landscapes.


John teaches in Australia, Europe and US each year. If you have the opportunity to take one of his workshops you won’t be disappointed. Failing that there is a wealth of information, very generously shared on his website and he has books, dvd’s and downloadable lessons available there.

256 Pleinair and Portraits

Our pleinair group met at a local historic cottage last week on a beautiful sunny autumn day. It’s fun sketching these old buildings with their funny angles and numerous chimneys. Artistic license allowed me to edit out the ugly buildings behind the cottage. Ink and watercolour sketch.

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Back to my current daily habit, sketching a portrait in front of tv at night. This is Foggy from Sktchyapp – 2B pencil in A5 Quill journal.

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This is Michelle in my Strathmore toned paper journal, experimenting with a Pentel brushpen and Portfolio  water soluble oil pastels.img_3101

Mlle June in 2B pencil in Quill journal.
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And Kaysha sketched with something different, having fun with a Kohinoor magic pencil in the Quill journal. These pencils have various colours in the lead so it’s a surprise to see the colours appear.

This may be my last post for a little while. I have recently had eye surgery and at the moment trying to focus is a problem, and will be until I have follow up surgery in a few weeks. Hopefully I’ll be back sketching up a storm after my break.

#254 Pencils and paint

More portraits 😁 It seems that I can’t go a day without a portrait now. Each time I go into my art room to think about starting a “proper painting” another portrait calls out to me. This next one is another watercolour pencil sketch with a waterbrush touched here and there. This process is a bit hit and miss, sketching, adding water with the brush, and going over that with pencil. If I need extra depth or colour I draw directly into the wet area and sometimes dip the pencil into water. Most of my watercolour pencils are Faber Castell with a few Staedtler and Caran D’Arche as well. This is a sketch of Joanne from Sktchyapp.

Another portrait of Jane from Sktchyapp painted in gouache with Pentel ink brushpen over.
A quick sketch from real life. I decided it’s about time I tried another selfie, standing in front of the mirror using a brown Pitt artist pen in a crappy sketchbook. I added the watercolour with a waterbrush and watercolour pencils. You can see the different pencil lines, the lighter ones are used dry and the darker are into wet areas.

And finally something different. We had a gorgeous autumn day last week so we went for a picnic at a nearby National Park. I did a little value sketch followed by a quick little gouache. I quite like the scene and hope to get around to doing a “proper painting” of this in the future.