I’ve been on holidays, camping out in the great outdoors and also taking a break from social media. Mobile coverage is very patchy when travelling in this big country, so it was rather nice to switch off and chill out for a while. I took it easy and only did a few sketches at some of the stops along the way.
I took along a Strathmore 500 Mived Media journal and used it for this sketch of the original cottage on a large grazing station. It was painted while sitting in the shade of a large eucalyptus tree – a very enjoyable hour.
Further up the coast the soil changes to red and is a great contrast to the white sand, blue sky and aqua water. This peaceful bay is inhabited by a friendly family of dolphins.
I also had a Moleskine journal with me and used it for these little thumbnail gouache sketches of a couple of campsites along the way. The paper in this journal is great for gouache.
I didn’t make much use of my mini journal although it was really handy for a couple of quick sketches when I only had a few minutes, just enough time to scribble a few lines and add colour.
And one in a larger journal. This is Buddy, a cute little fellow we met at the caravan park. He was a rescue dog and is totally devoted to his mum and charmed everyone who met him. I did this painting and gave it to his mum, but Buddy wasn’t too sure about it. He growled at it. Maybe he didn’t like that other dog looking at him, lol.
This was in a 11 x 14″ in a Holcraft Journal 200 gsm cartridge paper. I know I said I was going to travel light and take minimal supplies but I just happened to call into a RiotArt store on the way and spotted these discontinued journals at less than half price. As an added bonus if I spent over $40 there was another 50% reduction. 4 journals for $24! How good is that 😊
I’m gradually getting back to sketching. A few weeks back I met with the local sketching group. Still having problems with my vision I decided to focus on shapes and skip the detail. It did help simplify the sketch.
Watercolour – Canson Montval journal.
Next sketch was in a beautiful garden, in bright sunshine again. Always a challenge trying to depict all the different greens. I have been using a limited palette and most of the greens are a combination of Pthalo Blue, Quin Gold and Alizarin Crimson added for the darks. Ultramarine is added for variation.
Watercolour – Quill journal
Last week was at one of our local picturesque spots, a park on the banks of a tranquil estuary. Although it is winter here we have been very fortunate to be able to find a sunny spot to sit in and paint.
Watercolour – Stillman and Birn Alpha journal.
I find it really helpful to have a couple of journals on hand when I’m out sketching, as I often do a thumbnail sketch in a small one, and watercolour in the larger. I can always do a few small quick sketches in one while waiting for paint to dry in the other. Can’t waste time while out painting 😄
It’s been a while and a frustrating month since my eye surgery. Unfortunately things didn’t go quite to plan and I have continuing problems focusing, and getting back to normal will take a while longer than anticipated.
But that didn’t stop me taking a workshop with John Lovett, an artist I’ve long admired and was fortunate to be able to get into his class. I figured I’d be able to soak up some knowledge even if I couldn’t focus too well. I did however manage but suffered a bit with eye strain at the end of each day. I did learn a lot and will do some more to some of these paintings at a later date but I thought I’d share them as they were at the end of each workshop.
Our first lesson was an exercise in simplification of a fairly busy village scene. John uses mixed media, generally starting with a very loose charcoal pencil sketch. This is followed by washes with his signature rough brush, various sized flat brushes for windows and brickwork, dip pen and ink for linework. Sometimes a rigger brush is used, sometimes an Inktense pencil. He sometimes uses gesso throughout his work, to soften areas and draws back into them.
Then a river landscape which was a composition exercise in creating a focal point. I would have liked to carry this one a bit further but my eyes were telling me no.
Next lesson was once again choosing a focal point and different textures, drawing first with a charcoal pencil, applying loose washes over, then picking out details with ink and dip pen.
The final session was another river landscape with a rock escarpment. This was a fun exercise as rocks are very forgiving. Dropping colour into wet areas, as well as drawing with ink into damp areas gives unpredictable results. Gouache was used for some tree trunks and that vivid blue sky, so typical of northern Australian landscapes.
John teaches in Australia, Europe and US each year. If you have the opportunity to take one of his workshops you won’t be disappointed. Failing that there is a wealth of information, very generously shared on his website and he has books, dvd’s and downloadable lessons available there.
Our pleinair group met at a local historic cottage last week on a beautiful sunny autumn day. It’s fun sketching these old buildings with their funny angles and numerous chimneys. Artistic license allowed me to edit out the ugly buildings behind the cottage. Ink and watercolour sketch.
Back to my current daily habit, sketching a portrait in front of tv at night. This is Foggy from Sktchyapp – 2B pencil in A5 Quill journal.
This is Michelle in my Strathmore toned paper journal, experimenting with a Pentel brushpen and Portfolio water soluble oil pastels.
Mlle June in 2B pencil in Quill journal.
And Kaysha sketched with something different, having fun with a Kohinoor magic pencil in the Quill journal. These pencils have various colours in the lead so it’s a surprise to see the colours appear.
This may be my last post for a little while. I have recently had eye surgery and at the moment trying to focus is a problem, and will be until I have follow up surgery in a few weeks. Hopefully I’ll be back sketching up a storm after my break.
More portraits 😁 It seems that I can’t go a day without a portrait now. Each time I go into my art room to think about starting a “proper painting” another portrait calls out to me. This next one is another watercolour pencil sketch with a waterbrush touched here and there. This process is a bit hit and miss, sketching, adding water with the brush, and going over that with pencil. If I need extra depth or colour I draw directly into the wet area and sometimes dip the pencil into water. Most of my watercolour pencils are Faber Castell with a few Staedtler and Caran D’Arche as well. This is a sketch of Joanne from Sktchyapp.
Another portrait of Jane from Sktchyapp painted in gouache with Pentel ink brushpen over.
A quick sketch from real life. I decided it’s about time I tried another selfie, standing in front of the mirror using a brown Pitt artist pen in a crappy sketchbook. I added the watercolour with a waterbrush and watercolour pencils. You can see the different pencil lines, the lighter ones are used dry and the darker are into wet areas.
And finally something different. We had a gorgeous autumn day last week so we went for a picnic at a nearby National Park. I did a little value sketch followed by a quick little gouache. I quite like the scene and hope to get around to doing a “proper painting” of this in the future.
I’m late catching up posting my daily sketches. I am continuing to do a little sketch daily, but I struggle with finding inspiring subjects. I do like to do different stuff and I like to experiment a bit but inspiration is sometimes lacking and the paper in this journal is challenging.
After three weeks of mundane things I got a little bored so I decided to do a little pencil portrait each day, as pencil is more acceptable to this paper. I don’t have to think of something different to draw each day, but there is enough variety in faces to keep me challenged. I do enjoy drawing faces and I can sit in the living room and do a little sketch in my lap, keeping the hub company while he watches tv. And there is an endless supply of interesting faces to be found on Sktchyapp.
After I’d decided to do these daily portraits I read that Marc Taro Holmes (Montreal, CA) and Liz Steel (Sydney, AUS) are inviting the world to join in with #OneWeek100People2017. The goal is to draw 100 people in one week from March 6th to 10th. I’m going to try for this – 20 quick sketches a day – 5 minutes apiece should be doable if I can speed up a bit and not worry too much about the likeness. Just so long as they look human. The aim is practise, not perfection and this should be an interesting exercise. Anyone else going to do this?
For something different this week I also managed to meet up with the local sketching group for an outing at a national trust historic farmhouse, situated in wonderful garden surrounds. It’s always fun to paint with a like minded group in a beautiful setting.
I decided this past week to finish off some of my ufo’s………unfinished objects 😊 I’m working my way through the pile. This landscape was from a National Park we visited on our long trip around the country. It has been in the unfinished pile for ages, so now there is one less. I think I salvaged it and will hopefully sell it at an exhibition later in the year.
I do have a lot more unfinished paintings to work through and I will be ruthless. If I can’t make them work I’ll bin them.
In the meantime I had a morning with the local pleinair air group at the beach. Fine weather but the wind was a little chilly, which always makes me sketch a lot quicker. The first sketch is watercolour on cartridge paper.
The next one was a little gouache, looking across the bay.
And then I went for something completely different, a larger acrylic on canvas. I haven’t painted with acrylic for a long time and I forgot how much darker it dries, opposite to watercolour. This is 600 x 450 mm or 24 x 18″. Another one for the exhibition?