268 Inktober Sketches Part 3

I managed to keep up with the daily sketch, and even followed the official Inktober prompts. It wasn’t easy doing sketches of things I would never have normally chosen, as I followed the official Inktober prompt for the sketches and most of the reference photos were from Sktchyapp.

#22 Trail – Ink and watercolour

#23 Juicy – Ballpoint pen and watercolour

#24 Blind – Pigma Micron 005 and Pentel brushpen 

#25 Ship – Ink and watercolour

#26 Squeak – Ink and watercolour

#27 Climb – Ink and watercolour pencil used dry.

#28 Fall – Ink  and watercolour pencil. I was loaned a Sailor Fude fountain pen to try out. These are really different but fun to use. The thickness of the line is dependant on the angle you hold the pen so it takes a bit of getting used to. The ink in this was not permanent so I had to use the coloured pencils dry to avoid bleeding, even though I really wanted to watercolour those lovely colourful leaves.

#29 United – Preppy fountain pen with brown ink and watercolour. I’m no sports fan but even I have heard of Manchester United 😄

#30 Found – Ink and watercolour

#31 Mask – Ink, mainly Pentel brushpen and watercolour, plus a little colour pencil.

Most of the images used came from Sktchyapp and all were done in my handmade journal with Daler Rowney 160g drawing paper. It’s not watercolour paper but I quite like using it as it dries fairly quickly and the colours stay nice and bright. I made this journal initially for Liz Steels Online SketchingNow class, then used it for Every Day in May sketches a couple of years ago. This has almost finished this journal as there are only a couple of pages left. So it will be put away on the shelf till I find another way to use up those pages. 

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266 Inktober Sketches

I am managing to do an inky sketch a day so far this month. It was an effort to actually get started, as I’ve been out of the sketching groove for a long time and this is always a great challenge to get motivated again. And it’s a great challenge to draw just in ink, although I have to resort to colour now and again 😄 

I really enjoyed doing a daily sketch when I started my little daily diary back in 2015 and was a bit sad when I finished it. I thought I’d take a similar approach for this month. You can see all the 150 entries from that diary here on Flickr.

I found it hard each day to decide what to sketch, and often I was disappointed with the result, so to make myself feel better about the sketch I added an appropriate text on the adjacent page, sometimes motivational, sometimes humourous and it gave a more light hearted approach.

So I decided to approach Inktober in the same way. I am doing the prompts from Sktchyapp, and using its vast library of reference photos for the challenge.

#4 – Underwater. Ink, brushpen and watercolour on cartridge paper.


#5 Long. Sepia ink in Preppy fountain pen, bamboo dip pen and brush on cartridge paper.
#6 Sword. Super quick one today. Ink, Watercolour on cartridge paper. Lettering is with a Pitt calligraphy pen.
#7 Shy. Ink, Lamy Joy fountain pen on cartridge paper.

#8 Crooked. Pigma micron pen, brushpen and watercolour pencils on Kraft paper.

#9 Screech. Brush pen and water soluble oil pastels on Strathmore tan paper.

#10 Gigantic. Pilot V pen with water soluble ink on cartridge paper.

#11 Run. Lamy Joy fountain pen, brush pen and watercolour on cartridge paper.

I hope I can keep up this month as I find I often run out of steam, and ideas about halfway. Wish me luck.

257 John Lovett Workshop

It’s been a while and a frustrating month since my eye surgery. Unfortunately things didn’t go quite to plan and I have continuing problems focusing, and getting back to normal will take a while longer than anticipated. 

But that didn’t stop me taking a workshop with John Lovett, an artist I’ve long admired and was fortunate to be able to get into his class. I figured I’d be able to soak up some knowledge even if I couldn’t focus too well. I did however manage but suffered a bit with eye strain at the end of each day. I did learn a lot and will do some more to some of these paintings at a later date but I thought I’d share them as they were at the end of each workshop. 

Our first lesson was an exercise in simplification of a fairly busy village scene. John uses mixed media, generally starting with a very loose charcoal pencil sketch. This is followed by washes with his signature rough brush, various sized flat brushes for windows and brickwork, dip pen and ink for linework. Sometimes a rigger brush is used, sometimes an Inktense pencil. He sometimes uses gesso throughout his work, to soften areas and draws back into them.

Then a river landscape which was a composition exercise in creating a focal point. I would have liked to carry this one a bit further but my eyes were telling me no. 


Next lesson was once again choosing a focal point and different textures, drawing first with a charcoal pencil, applying loose washes over, then picking out details with ink and dip pen.


The final session was another river landscape with a rock escarpment. This was a fun exercise as rocks are very forgiving. Dropping colour into wet areas, as well as drawing with ink into damp areas gives unpredictable results.  Gouache was used for some tree trunks and that vivid blue sky, so typical of northern Australian landscapes.


John teaches in Australia, Europe and US each year. If you have the opportunity to take one of his workshops you won’t be disappointed. Failing that there is a wealth of information, very generously shared on his website and he has books, dvd’s and downloadable lessons available there.

255 Outdoors and Indoors

Last week our pleinair outing was at the old cemetery. Some of the group were reluctant to paint in a spooky place but I thought we were paying homage to the old forgotten graves. I’m sure the spirits of the departed would have looked on us as friendly visitors. The weather wasn’t so kind to us though, as after about an hour the skies opened up and we were soaked in a matter of minutes 😄 Luckily I took a photo just before the drenching and the paint running and dripping off the page.

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Back safe and warm indoors I resorted back to portraits from Sktchyapp, trying different techniques and materials. First up is an ink and coloured pencil sketch on Strathmore tan toned paper. The white highlights are Uniball Signo white pen.

Next was a gouache and Pentel brushpen in a Quill journal.

And because I have a couple of commissions coming up I thought I should try out some “good” Fabriano Artistico paper again, and do some step by step progress shots. This is the ghastly stage 😄 Using a very limited palette – cadmium yellow, cadmium red and a little cerulean for the flesh tones. Adding some darks with burnt sienna, ultramarine and pthalo blue, and a few splashes to try and loosen up a little.

The final dark accents on the face, glasses and background.

252 One Week 100 People

As this week is all about sketching faces quickly I’d like to share a couple of videos that I found helpful for trying to get proportions right when sketching faces. First is Alphonso Dunn’s YouTube tips to help you sketch here. And David Rankins 5 minute sketching recipe here. I found these quite useful. I’m always looking for ways of improving my sketching so if you know of any others let me know.
This week has all been about doing 100 portraits in a week. The idea being doing so many faces will improve my hand eye coordination and work out shortcuts for faces. Most of the reference photos are from Sktchyapp.

I’m using this week of One Week 100People for experimenting, yes, again, to find what suits me best doing this type of sketching. I have been doing portraits just with a 2B mechanical pencil for a while so I wanted to get out of the rut.  So here’s my attempts so far, the good, the bad and the ugly.

I started the week with watered down ink in a waterbrush, trying for speed rather than a great likeness. As long as they look human I’m happy. 



Then I switched back to graphite and ballpoint pen.


Next I tried watercolour first with watercolour pencil linework over that.


And then back to graphite


Day 2 A different tool for the next one, a Pilot V pen with watersoluble ink. I like this because I can get a variation in tones using a waterbrush.


But I still needed to speed up because trying to fit in 20 sketches a day was taking me much longer than I intended so quick 5 minute graphite again.


Day 3 I used a Preppy Fountain pen with brown ink, trying more of a contour line type approach. Not altogether successful but a good exercise looking for the planes and shadow areas of a face.


Then I felt the need for some colour so I used just 3 colours and my waterbrush and then watercolour pencils to sketch the faces. Fun but a bit time consuming.


After 60 I’m starting to run out of energy with this but I’ve only 2 days to go so I think I’ll make it, especially if I can learn how to speed up. I have already learned quite a bit so far and learned where my weaknesses are. I have one portrait in this lot that I’m happy with. Can you pick it? I’ll share my thoughts on this when I post the final 2 days.

#246. 20/20 Sketches

January 1 was the start of 20sketches20days challenge on Facebook. I was invited by a friend to join in as an encouragement to sketch more, and I find if I commit to these challenges I do sketch and experiment more, trying different things that I wouldn’t normally do. I treat these sketches as a learning challenge, in various sketchbooks or different papers. 

This was a quick brush sketch on drawing paper, attempting to mix the colours on the paper. Fun without worrying about the outcome.


The only difficultly I have sometimes is thinking of a subject to sketch. I raided the recycling bin for this bottle, a remnant from New Years Eve 😀 Here I sketched the outline initially on with a yellow pen, on  Bamboo paper, then  dipped a skewer into masking fluid and added more lines and blobs.  After that was dry I applied the colour and a few ink lines and a bit of gouache for the lettering. Oh, and the Fat Yak company liked the sketch too 😊

Then I had a look at Sktchyapp for some more inspiration, again trying something different. This is a Pentel brushpen sketch in my cartridge paper journal.


Another Sktchyapp inspired portrait in gouache and Pentel brushpen.


A Sktchyapp geometric challenge. It started out ok but I lost my way. As it was only another experiment with coloured pencils on photocopy paper I abandoned it. The fun is in the journey, not the destination 😀
This next one was meant to be a watery silhouette type of sketch but I messed up big time and resorted to gouache to save the day again. This was the first time I’ve used gouache in my Stillman and Birn Alpha journal and it played very nicely 😀

A journey to the city for various commitments meant I had some waiting around to do. The following sketch was done while waiting in the gardens of a lawn cemetery. 

Then in the waiting room of a hospital. Not my appointment, I’m just there lending moral support 😀 I actually enjoy waiting now if I have my sketchbook. I get annoyed if I don’t have it and have to resort to playing Sudoku on my phone.

 I had my multicoloured magic pencil to play with here, but decided it needed watercolour to make it believable.
Because I’m getting rather lax in regular postings I still have more catching up to do but I don’t want to overburden this post. I do almost daily uploads to my Instagram account as I find it quick and easy, just a photo and a couple of words and hashtags. 

My question to you ….. do you enjoy reading my (sometimes) weekly notes with several images or prefer a post  with a few notes every day or so? Or even prefer to follow on Instagram? I’d like to hear from you.

#238 Inktober Portraits

First just one last sketch from France, on one of my morning sketch walks.


After having such wonderful  subjects to sketch I was lacking inspiration back home, when I read about Inktober. The idea is to sketch in ink for the month of October and I thought the only way to master ink sketching is to just do it and get more miles on the brush! I’d like to let loose and free up my sketching but I still fall back on my finicky ways. So on with the struggle.

 I decided first to do a blind (or semi blind) contour drawing of the subject with a .5 Pigma Micron pen followed by a brush pen sketch. The first portrait I succumbed to adding gouache so it’s not strictly “Inktober” but I like the effect on the tan Strathmore paper.

 All the photo references are from Sktchyapp.

Pure ink for the next one …. yes!

Ink with a touch of watercolour.

Then brushpen and marker on unknown brown paper that was in this cool journal, which is actually a photo album. I like the fact that I can add different papers in this and can ditch the failures without spoiling the album.

I may or may not keep up the monthly challenge and the subjects might change, but you know me, I like variety 😄