261 Creative Slump.

I haven’t done a journal page for ages. In fact I haven’t done much in the way of sketching or painting for ages. 

But we are heading off on a road trip shortly and I’m getting my sketching supplies ready in anticipation. Art supplies are usually the first things I pack. I thought I’d share my favourite super lightweight sketch kit. I like to take this when I’m hiking or out strolling, not knowing whether I’ll actually get around to sketching, but have the supplies on hand if the mood strikes. That way I’m not lugging heavier and bulkier items then feeling peeved if I don’t get to do some sketching. 

I will also be taking along other supplies, gouache and an easel in the hope that I might get to do a painting or two. Wish me luck.

The tiny palette is fashioned from a credit card holder. You can see how I made it here. The mini journal is stitched with a sewing machine. The assembly and sewing instructions can be seen here. 

The only other sketch I managed to do over the last few weeks is an experimental portrait done with a BIC 4 colour ballpoint pen. Thanks to M Elizabeth and Sktchyapp for the reference photo.


The inspiration for trying ballpoint pens came from seeing the awe inspiring work of Nicholas V Sanchez. You can see his incredible sketches here

260 Sketches from the Portrait Journal

It’s been a while and I apologise for the slowdown in my postings. No excuse! Life gets in the way 😉 I’ll simply do a catch-up of all portrait practise done over the last few weeks.

All photo references are from Sktchyapp. First is a gouache and watercolour pencil sketch of Anita.

I like to mix things up a bit so I used Strathmore toned paper for a graphite sketch, adding a little white pencil in the light areas for this sketch of Ciara. The background was a watercolour wash of Quin Gold with some red dropped in.  I rubbed some yellow and red watercolour pencil onto sandpaper and allowed the particles to drop into the wet wash.

Another toned paper sketch of Pat, with a Pentel brushpen with gouache added for the flesh and background areas.

A mixed media sketch of Rick, on toned paper again. Pentel brushpen, gouache and watercolour pencil.Dusti provided the next image and I used this for more experimenting. First I applied a random wash of  Ultramarine and Raw Sienna, then drew over that with the brushpen. I added a bit more colour to define the features and shadows.Another experiment but I have no idea what I’m doing with these el cheapo kiddies markers. It’s fun scribbling though. Thanks to Simone for letting me play around with her image.

img_3584This sketch of Ellen is on toned paper again with the Pentel brushpen and watercolour pencils.  I often use a white Posca marker or a Signo Uniball pen for the highlight in the eyes.Lastly is a watercolour sketch of Robin. I do enjoy watercolours but should really use proper watercolour paper instead of this inexpensive journal. It’s not meant for wet media but it seems to work ok and can take limited layers. I

The Quill journal I’ve been using for most of the sketches has 250gsm cartridge paper and is about 15 x 20cm or 6 x 8″.

I initially only intended to use graphite and coloured pencil but I started adding markers, gouache and watercolour.  I find I am much less precious using this cheap book and much more inclined to experiment, and not worry about the outcome. Much less intimidating than using a “good” book with precious paper.

259 Pleinair Air Sketches

I’m gradually getting back to sketching. A few weeks back I met with the local sketching group. Still having problems with my vision I decided to focus on shapes and skip the detail. It did help simplify the sketch.

Watercolour – Canson Montval journal.

 

Next sketch was in a beautiful garden, in bright sunshine again. Always a challenge trying to depict all the different greens. I have been using a limited palette and most of the greens are a combination of Pthalo Blue, Quin Gold and Alizarin Crimson added for the darks. Ultramarine is added for variation.

Watercolour – Quill journal

Last week was at one of our local picturesque spots, a park on the banks of a tranquil estuary. Although it is winter here we have been very fortunate to be able to find a sunny spot to sit in and paint.


Watercolour – Stillman and Birn Alpha journal.

I find it really helpful to have a couple of journals on hand when I’m out sketching, as I often do a thumbnail sketch in a small one, and watercolour in the larger. I can always do a few small quick sketches in one while waiting for paint to dry in the other. Can’t waste time while out painting 😄

 

257 John Lovett Workshop

It’s been a while and a frustrating month since my eye surgery. Unfortunately things didn’t go quite to plan and I have continuing problems focusing, and getting back to normal will take a while longer than anticipated. 

But that didn’t stop me taking a workshop with John Lovett, an artist I’ve long admired and was fortunate to be able to get into his class. I figured I’d be able to soak up some knowledge even if I couldn’t focus too well. I did however manage but suffered a bit with eye strain at the end of each day. I did learn a lot and will do some more to some of these paintings at a later date but I thought I’d share them as they were at the end of each workshop. 

Our first lesson was an exercise in simplification of a fairly busy village scene. John uses mixed media, generally starting with a very loose charcoal pencil sketch. This is followed by washes with his signature rough brush, various sized flat brushes for windows and brickwork, dip pen and ink for linework. Sometimes a rigger brush is used, sometimes an Inktense pencil. He sometimes uses gesso throughout his work, to soften areas and draws back into them.

Then a river landscape which was a composition exercise in creating a focal point. I would have liked to carry this one a bit further but my eyes were telling me no. 


Next lesson was once again choosing a focal point and different textures, drawing first with a charcoal pencil, applying loose washes over, then picking out details with ink and dip pen.


The final session was another river landscape with a rock escarpment. This was a fun exercise as rocks are very forgiving. Dropping colour into wet areas, as well as drawing with ink into damp areas gives unpredictable results.  Gouache was used for some tree trunks and that vivid blue sky, so typical of northern Australian landscapes.


John teaches in Australia, Europe and US each year. If you have the opportunity to take one of his workshops you won’t be disappointed. Failing that there is a wealth of information, very generously shared on his website and he has books, dvd’s and downloadable lessons available there.

255 Outdoors and Indoors

Last week our pleinair outing was at the old cemetery. Some of the group were reluctant to paint in a spooky place but I thought we were paying homage to the old forgotten graves. I’m sure the spirits of the departed would have looked on us as friendly visitors. The weather wasn’t so kind to us though, as after about an hour the skies opened up and we were soaked in a matter of minutes 😄 Luckily I took a photo just before the drenching and the paint running and dripping off the page.

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Back safe and warm indoors I resorted back to portraits from Sktchyapp, trying different techniques and materials. First up is an ink and coloured pencil sketch on Strathmore tan toned paper. The white highlights are Uniball Signo white pen.

Next was a gouache and Pentel brushpen in a Quill journal.

And because I have a couple of commissions coming up I thought I should try out some “good” Fabriano Artistico paper again, and do some step by step progress shots. This is the ghastly stage 😄 Using a very limited palette – cadmium yellow, cadmium red and a little cerulean for the flesh tones. Adding some darks with burnt sienna, ultramarine and pthalo blue, and a few splashes to try and loosen up a little.

The final dark accents on the face, glasses and background.

#254 Pencils and paint

More portraits 😁 It seems that I can’t go a day without a portrait now. Each time I go into my art room to think about starting a “proper painting” another portrait calls out to me. This next one is another watercolour pencil sketch with a waterbrush touched here and there. This process is a bit hit and miss, sketching, adding water with the brush, and going over that with pencil. If I need extra depth or colour I draw directly into the wet area and sometimes dip the pencil into water. Most of my watercolour pencils are Faber Castell with a few Staedtler and Caran D’Arche as well. This is a sketch of Joanne from Sktchyapp.

Another portrait of Jane from Sktchyapp painted in gouache with Pentel ink brushpen over.
A quick sketch from real life. I decided it’s about time I tried another selfie, standing in front of the mirror using a brown Pitt artist pen in a crappy sketchbook. I added the watercolour with a waterbrush and watercolour pencils. You can see the different pencil lines, the lighter ones are used dry and the darker are into wet areas.

And finally something different. We had a gorgeous autumn day last week so we went for a picnic at a nearby National Park. I did a little value sketch followed by a quick little gouache. I quite like the scene and hope to get around to doing a “proper painting” of this in the future.

252 One Week 100 People

As this week is all about sketching faces quickly I’d like to share a couple of videos that I found helpful for trying to get proportions right when sketching faces. First is Alphonso Dunn’s YouTube tips to help you sketch here. And David Rankins 5 minute sketching recipe here. I found these quite useful. I’m always looking for ways of improving my sketching so if you know of any others let me know.
This week has all been about doing 100 portraits in a week. The idea being doing so many faces will improve my hand eye coordination and work out shortcuts for faces. Most of the reference photos are from Sktchyapp.

I’m using this week of One Week 100People for experimenting, yes, again, to find what suits me best doing this type of sketching. I have been doing portraits just with a 2B mechanical pencil for a while so I wanted to get out of the rut.  So here’s my attempts so far, the good, the bad and the ugly.

I started the week with watered down ink in a waterbrush, trying for speed rather than a great likeness. As long as they look human I’m happy. 



Then I switched back to graphite and ballpoint pen.


Next I tried watercolour first with watercolour pencil linework over that.


And then back to graphite


Day 2 A different tool for the next one, a Pilot V pen with watersoluble ink. I like this because I can get a variation in tones using a waterbrush.


But I still needed to speed up because trying to fit in 20 sketches a day was taking me much longer than I intended so quick 5 minute graphite again.


Day 3 I used a Preppy Fountain pen with brown ink, trying more of a contour line type approach. Not altogether successful but a good exercise looking for the planes and shadow areas of a face.


Then I felt the need for some colour so I used just 3 colours and my waterbrush and then watercolour pencils to sketch the faces. Fun but a bit time consuming.


After 60 I’m starting to run out of energy with this but I’ve only 2 days to go so I think I’ll make it, especially if I can learn how to speed up. I have already learned quite a bit so far and learned where my weaknesses are. I have one portrait in this lot that I’m happy with. Can you pick it? I’ll share my thoughts on this when I post the final 2 days.