289 New Year Resolution

Nope! I’m rubbish at resolutions, always starting off well but inevitably fall in a heap after a while. So instead for the new year I’m doing a personal challenge, that is to do more fun stuff…… and hopefully blog more regularly.

2018 saw me become involved in exhibiting my work both in Riverfront Gallery, Denmark and Southern Art and Craft Trail. As an exhibitor in a gallery the main object is to sell work, and with the economic climate and increased competition, sales are hard to come by. I feel that I’m constantly trying to paint what the buyer may want,so it becomes work rather than pleasure.

So I’m resolving now to just play and experiment, and use some of those art supplies bought on a whim and promptly ignored. An added motivation to do this was the opportunity to participate in a rerun of Liz Steel’s Sketching Foundations course which I completed in 2015. Liz reopened this course for past participants, and new students this week, so I’m hoping this will reinvigorate my love of sketching. I’d also like to get more proficient at painting directly with a waterbrush.

Here’s my start, my most used sketching tools in a half used page in a Canson Montval journal. Hey, I’m using up stuff and not buying new!

The pencil was sketched with the watercolour pencil, and blended with a waterbrush. Side swatches show a blending of colours, dry pencil at the top and blended with a waterbrush at the bottom.

The mechanical pencil was sketched with pencil with watercolour wash over.

Uniball pen and palette were sketched directly with a waterbrush, using my mini limited palette of a favourite triad – yellow, magenta (Permanent rose) and cyan (Pthalo Blue) with extras – Quinacridone gold, Raw sienna, Burnt sienna, Ultramarine blue and Indigo.

I’m starting with minimal tools but I hope to use all my arsenal of art supplies over the 12 week course.

I will also post other work during the course but I hope I can keep up my fun sketching as well.

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282 Sketches from Far and Near

First sketch is a commission – Manhattan NYC – on the other side of the world to me. It’s not so easy doing a commission from somewhere you’ve never been from a lousy phone pic. I tried to create an illusion of distance in the buildings with an interesting skyline, while keeping the near buildings recognisable. The client was happy so that makes me happy.

Canson Montval paper, ink and watercolour.

Back to more familiar territory. This Victorian building is our local Town Hall. I sketched this with a Staedtler Stabilo pen on drawing paper. When watercolour is applied this ink bleeds and softens the linework.

Another day and a different view of the Town Hall. The building is undergoing refurbishment and we would like to think that it may house a permanent art gallery, as our town is sadly lacking one.

Sketched with a Lamy fountain pen with permanent ink and watercolour on drawing paper.

I love doing old decaying buildings. This one is an old woollen mill that is crumbling away. At one stage this mill was the largest producing carpet wool in Australia but was a victim of corporate collapse and the town lost a very important industry. I guess the building won’t be there for too much longer as it now a haven for skateboarders and graffiti artists. I really enjoyed doing the graffiti, only in my sketchbook though.

Ink and watercolour on drawing paper.

I am presently working towards an exhibition in a few months time. The exhibition will be part of an “Art Trail” with over 90 venues and open studios over a two week period. Most of my work on display will be Plein air sketches and paintings. I have also had a range of cards printed for this, most of them from my sketches about town. A wonderful local gift and garden store “Designer Dirt” is now stocking some of them.

Photos by Designer Dirt.

I will share some photos of the exhibition when it happens. In the meantime I’ll be busy matting and framing.

#281 Direct Watercolour

When I saw this challenge pop up on Marc Taro’s blog I decided that 30 days of direct watercolour painting in June would be a great opportunity to get some practice in. Yikes, no pencil or pen, just drawing with a brush. I needed this practise to become a little more adventurous and bolder with brush work.

It’s so hard for me to break old habits. I had a practise run before the start of the month with a floral painting. Not as bold in the foliage as I would have liked but I don’t mind how the bud turned out. I guess if I can find one small part of a painting I’m happy with then it’s not a complete disaster.

My second attempt was a portrait. After all I do like doing portraits so it shouldn’t be too intimidating. Wrong! Once again much too tentative. Ignoring the fact that it looks nothing like the subject the few parts I thought were successful were parts of the hair and the clothing.

Third attempt I thought I’d go for a simple subject. What can I say about this one? Nice paper 😂

Next attempt was a Plein air sketch of a little heritage cottage in town. I think the foliage was reasonably successful and I’m happy that it conveyed an impression of the cottage, but as usual I’m often disappointed with my result.

The following was another portrait attempt, which I think was a little more successful than the first. I started this with a small waterbrush and Raw sienna. You can just see the initial lines under the chin and top of the head. Unfortunately I still have a tendency to keep painting into wet areas and not allow that layer to dry.

My last sketch of a rooster was done with limited supplies as we were travelling and all I had was a little sketch book, a waterbrush and travel palette.

Unfortunately I wasn’t able to keep up this challenge as life and travel got in the way, but I can see how keeping up this practice would improve my skills. I might have to give this another shot at a later date.

280 Sketches around Town

WordPress tells me it’s been a month since my last post so I guess it’s time for an update.

I have been busy, Plein Air painting, gallery painting, thinking about painting and simply messing around with paint. I’m trying to build up stock for the Southern Art Trail, an event that has about 80 artists and venues exhibiting all forms of artwork for two weeks in September.

I will be exhibiting in three of the venues, two of them being Plein air exhibitions, so some of these sketches might make it to the framers. I still have a few months to do more, so I’ll keep on painting.

I won’t bore you with too much but I’ll share a few I have done this past month.

These are mostly sketches from around town, done with ink and watercolour on various papers.

Firstly, the old buildings around town.

The old Post Office on Canaletto paper.

The first farmhouse built in the Albany area.

The oldest church in Western Australia.

The ruin of the Lighthouse keepers cottage.And the new – the Entertainment Centre.

And Rats Bar with a beautiful bougainvillea growing outside.

Looking across the bay to the town.

Lastly a watercolour sketch at one of the local rivers.

276 Some Plein Air, some not.

With summer here we are making the most of outdoor sketching. Yesterday was a glorious sunny day made more enjoyable by painting along with excellent company.

I loosened up for my first sketch, easy to do when painting with my favourite brush. I scored this brush from a workshop by the wonderful artist John Lovett.

I still had 30 minutes before I had to leave so I did another quick sketch with gouache.

I didn’t have time to resolve the stone wall problem, so I took a photo and fiddled with it later at home.

The week before we painted at a local boat harbour. This is my very edited version of the actual scene, as I couldn’t get my head around too many boats and masts.

In the older part of our town is the Rotunda, constructed as a bandstand in the late 1800s. This was a bit of a challenge and as a result ended up rather overworked. But that’s what I love about Pleinair painting, everything is a puzzle and I always learn from each painting.

The following one was from a photo because I’m not often up and around to capture an early morning foggy scene. It was painted with a very limited palette with successive overlapping washes, fading out towards the water, with the man and boat added later.

Another one painted from my photo reference. This is just one more of the stunning beaches found along the southern coastline. This was painted with thinned gouache, used like watercolour.

As I am now working towards an Exhibition later this year all of these paintings are on artist quality watercolour paper and not in my journals. I really don’t like removing pages from journals as I paint in them just for me.

275 Portraits Again

While I love painting all manner of things, landscapes, Plein Air, still life, I’ve decided my very favourite thing to sketch and paint is portraits. It’s my relaxation and it’s fun to curl up in the lounge chair in the evening with my little journal in my lap and my iPad to scroll through a never ending stream of portraits from Sktchyapp. If I decide to paint the portrait I map out the sketch in the evening and paint it with better light next day.

This is my most recent one – gouache, ink and pencil – Jon from Sktchyapp.

Here are some older ones from a few weeks ago.

This is Elizabeth. Here I’m trying new materials – Conte carbon pencil and white Pitt pencil on A4 Strathmore tan paper.

Happy dance! This was my first commission through Sktchy. Painted on A4 watercolour paper with gouache and watercolour pencil. I couldn’t show this for a while as it was to be a surprise.

Back to my little journal A5 size. This is Jane – gouache, ink and coloured pencil.

And a lazy, late night lounge chair sketch on Kraft paper with Conte carbon pencil and white pencil.

And for a change of faces a lovely German Shepherd called Dutch. Ink and watercolour on A4 drawing paper.

That’s it for portraits for a while. Next post will probably be Plein Air or landscapes, depending how the mood strikes.

274 Gallery Paintings

A new year brings a new venture for me. I have been invited as a member artist in a south coast gallery – Riverfront Gallery, Denmark, so I needed to do a few extra paintings to add to my allocated gallery space.

The first painting was painted from several photos my sister took on her holiday in Italy. It is certainly not an accurate representation, but more like an impression of a village scene.

Italian Village – Watercolour on Fabriano Artistico paper

The next painting is an attempt to capture the dappled light through the giant trees, so typical of the forests surrounding this area.

Karri Forest – Watercolour on Arches watercolour paper

In addition to the gallery paintings I received a rushed commission for a dragonfly painting a few days before Christmas. Watercolour painted, framed and collected with a day to spare.

One very happy client!

Dragonfly – Watercolour on Canson Montval paper